In my friend’s story Goya cat goes into the forest. It is described as a cathedral of leaves. I am intrigued by unexpected perspectives and was excited to do the forest from the cat’s point of view, sort of. At least from under the cat looking up with her.
My friend’s story has a cat and a dog who are both white as the central characters. If I were illustrating them using line drawings this would be no problem, but when stamping, it is more of a challenge. I tried roughing it out on butcher paper instead of white paper and think that may be (at least part of) the solution. The other thing I experimented with is using watercolor over the stamped image. This helps give more dimension to them as well as integrating the watercolor used in the background. The cat has black markings in the story and that is another challenge I tried to address using paint detail.
There are two dogs because I was trying to see if I could solve the problem of scale between the cat and the dog without carving a new one of either of them. They are supposed to be sitting together on a hill, but as we all know a cat’s idea of “together” is a little more distant than most.
I want to deepen my illustrations by adding water color and collage. I want that in my mind, but when it comes to actually doing it I freeze up a bit and fall back on old habits. I am more comfortable sticking with the familiar if I can be more sure of the results, which goes without saying if you choose a technique you have done dozens of times before. New materials represent the unknown and that is awkward and the outcome is usually amateur at first. So, here I go. Making some stilted art in hopes of getting to a more layered and interesting place.
I can’t stop carving houses! It seems to be a problem – maybe a crutch to keep me from doing anything else. They are fun and satisfying and I keep finding *just* one more that want to add to the line up.
Of course, to the outsider’s eye it looks like a gaggle of kids where you loose track of their ages and mix them up on the annual Christmas card. But to me they are all individuals with different qualities. For instance, tonight’s addition isn’t even Victorian architecture and would never be found on the same row as the rest. I enjoy geeky anachronistic inside references only a nerd would catch.
I have one or two more houses in the queue that are calling my name. After that I vow to mix and match them with some of my animals to create a neighborhood. That should be fun!
I’m not highly political. But as soon as I made my little row house stamps I knew there was one card I had to make with them.
Marriage equality interests me because it is such an obvious right and one that falls into my pro-choice beliefs. You live as you wish. I’ll live as I wish. It is the newest frontier in civil rights. My belief and fervent hope is that my son will think it odd when he grows up that marriage equality was ever an issue, much as going to school with different races was an assumed for me, but a complete shift from just a generation before.
I wanted to make something joyful instead of heavy. There is no reason a couple has to be married or gay to give or receive this card. It’s just fun. But I am also aware of what the rainbow has come to represent and I used these colors with intention.
Welcome home EVERYONE!
This is the second in my house series (That’s right, I’m boldly proclaiming a series.)
Is the appeal of small houses that we feel we could shrink our lives to fit in them, and thereby have more control? Is it comforting to loom large over something that ordinarily surrounds us? Obviously, I had plenty of time to think about this while carving these tiny abodes. I didn’t come up with any answers. Maybe I will in a few more houses down the row…
I don’t usually get excited abut carving inanimate objects. By definition, they have no life. But houses are different. After all, people (and creatures) live inside them so they emanate a certain energy. Who’s inside? What are they doing?
This is the first of my row houses. I want to carve at least one more so I can make a mash up of them using various colors. You can see how the different colors give totally different moods (twilight?)
There are whole pages devoted to Tiny Houses on Pinterest and it baffled me. What’s the fascination? However, after stamping this row I think I understand!
The problem with inspiration is that it tends to lead me down the garden path to explore yet another intriguing technique, idea, application, etc. This isn’t all bad. It just takes me longer to get where I’m going (or changes the course several times completely!)
I’ve got all these stamps swimming around in my head and I’m still figuring out how I want to use them. I’ve been thinking a lot about layering. I want to add complexity without the image getting muddled. I love the look of simple, doodle-style drawings combined with watercolor. So, I’m starting to experiment with creating some “worlds” for my characters with this effect.
As always, I’m having a great time. I just fear that I’ll be 80 by the time all my divergent explorations come together into one project.
Again avoiding what I’m “supposed” to be doing, I started stamping at random. I’m not really ready for fall and always view August as one giant Sunday that just looms as I watch summer fizzle away. But I used autumnal colors because adding green leaves to the trees seemed too harsh. I was enjoying something about the harmonious pallet.