Tag Archives: stamp

Simple Patterns Prove to be Hard

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I carve a new stamp almost every day. At first this seems like a productive way to work and push myself into new territory. But when I sat down to stamp tonight I realized it was just my creative way of avoiding the inevitable. You see, when facing a blank page I suffer from the artistic version of writer’s block. With so many options I am paralyzed by plenty. Should a frog ride a bicycle or a beetle climb a tree? Should I stamp in a narrative or patterned form? Colors of inks and papers…. and I’m still looking at a blank page.

One would think a pattern is the easy way to go. But if you really stop to look at successful patterns; i.e. wall paper, gift wrap, you’ll notice that they look almost random but circle back in a pleasing, rhythmic way.

By the time I realized my interest in textiles and graphic design I was well out of school and I’m learning what must be basics from doing, making mistakes, then doing some more. 

Below is the picture of book I bought for it’s cover, “That Quail, Robert,” (and the fantastic, curious title.) You can see what I’m talking about with how the feathers are repeated, but not in a predictable way. They flow and dance. 

Well, more experimenting (and mistakes) to come!

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Into the Canopy

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Trees are hard. I mean they’re hard to draw. At first they seem simple. But it is precisely this simplicity that is deceptive. For if you believe this seduction you will end up with a cartoon. Sort of what a stick figure is to a human portrait. It is tree’s randomness alongside their symmetry that makes them so beautiful… and so difficult to capture.

This is my first attempt at a scene from my friend’s story where Goya, the cat, is looking up at the great cathedral of trees above her.

Meet That Girl

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I’m having so much fun! This character I’m creating is taking over my thoughts. Her name is Rosemary Weedleknocker. Further details are still being teased out, you might say. I’m still debating whether to draw in her face or use a varying stamp to change facial expressions. The merits of drawing it rather than stamping are the obvious time element, but equally the detail. When working that small (about the size of a quarter) it is hard to cram in a lot of fine lines. But I do love the quality stamping lends.

My blog followers will be the first to see the story unfold from behind the scenes. Stay tuned to see where Rosemary’s hair takes her.

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Back to Black

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I finally got back to the black and white animals I wanted to do. Pandas are an obvious choice, of course. But he had to wait in line behind the zebra and the penguin before he got his turn. It took me a while to settle on an image that was going to read clearly, yet not be too cute. Too often pandas are dismissed as sweet and simple. I wanted to capture something more handsome and real.

I will immodestly admit that as soon as I stamped him I said (aloud), “I love you.” I was very pleased with how his fur came out. Instead of thinking of the white as negative space that needed to be carved away completely, I stopped myself from being too meticulous and stayed with the “grain” of the fur. This effect gives him a certain texture and depth.

(Below is a picture of him before being carved. Before the rubber meets the road, so to speak. It is a mental exercise to imagine the positive and negative spaces contrasting.)

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Leap Frog

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I am master of avoidance. As soon as I have an assignment I can think of all sorts of things to do… but that. Black and white animals have taken a momentary backseat to my current obsession with wrongly winged fauna.

It started with the rabbit I did for a friend of mine with a farm (Rabbit Wing Farm). Various animals started jumping through my head as I went to sleep. I get very persistent images that can’t be ignored until they make it out of my thoughts and into the world. It’s sort of like an exorcism.